You say “apple” to me and I’m #1, glossy skin, insides, all that
And how in the hell does one navigate life, or enjoy a book, if they’re not a #1?! Reading a book is like watching a movie. I subconsciously assign actor’s faces to characters and watch as the book rolls on.
Yet #5’s are not handicapped in the slightest. They’re so “normal” that mankind is just now figuring out we’re far apart on this thing. Fucking weird.
EDIT: Showed this to my wife and she was somewhat mystified as to what I was asking. Pretty sure she’s a 5. I get frustrated as hell when I ask her to describe a thing and she’s clueless. “Did the radiator hose pop off, or is it torn and cracked?” “I don’t know!”
EDIT2: The first Star Wars book after the movie came out was Splinter in the Mind’s Eye. I feel like I got that title. What’s it mean to you?
I used to want very much to be an artist, or at least, be able to draw capably, but it’s always seemed impossible. I can think of what I want to draw in a macro sense - like, if I was thinking of that famous Norman Rockwell painting with the boy with the bindle sitting at the diner next to the police officer, I can certainly imagine the scene. Just thinking of that painting from memory, the officer is looking down at the boy who’s looking up at the officer, there’s a man behind the counter in a white outfit looking at both of them with an amused expression, there’s some pastries or donuts or something on the counter…
But to draw something, it feels like you’ve got to be able to imagine the micro details, and without references to look at, I just can’t do that. The same is true if I was going to try to describe the minutia in the painting - what color is the officer’s hair? Are any of the characters wearing glasses? What do the wrinkles in their clothes look like? What kind of shoes are they wearing?
I even have a difficult time commissioning artwork as a result of this, because it’s difficult to describe what I want without having something visual to reference.
I’ve seen a recommendation for the books ‘Drawing on the Right Side of the Brain’ by Betty Edwards and ‘The Creative License: Giving Yourself Permission to Be The Artist You Truly Are’ by Danny Gregory. The commenter also attached their drawings from before and after, saying it took a quite short time to go from rudimentary scribblings to full-fledged detailed realistic drawings. So perhaps these books help, though I’ve got a feeling they might be about drawing from references.
I’m not really an artist, but for myself I resolved this problem by making decisions like that when I come around to those details. I.e. I’ll choose the fitting shoes when it’s time to draw the shoes. And of course, sketching is for planning this kind of stuff before drawing proper begins.
I’ll give this a look! Thanks for the recommendation!
I don’t think I’m really explaining the problem well, but like… If I don’t have a visual reference, I just can’t imagine (or draw) what the minute details actually look like in those situations. An artist might be able to take a side-profile picture of a shoe and visualize what that would look like if it was a front or back or diagonal viewpoint, and draw it into their scene. I know what a shoe looks like… I can describe one, I know a shoe when I see one obviously, but when it comes to needing a level of detail sufficient to actually draw the lines - to know where the next line should go - I come up blank. I can draw something and recognize that it doesn’t look like what I want, but it’s difficult to actually identify what it is that I do want unless I stumble on it.
I can draw very low-detail things. Stick figures, say, or basic outlines, but the details come very hard to me.
The person who recommended those books said they ‘teach how to draw what you see instead of what the brain tells you to draw’. Which is a bit odd, and I don’t know if they meant drawing from references specifically, but it kinda sounds like it might help with capturing an object how it should look. Especially since their ‘after’ example was a detailed drawing of a crow down to the feathers.
I’m actually simultaneously intrigued and a bit wary of these books, since I prefer unrealistic and quirky style and want to develop one like that for myself, but am afraid I might go for detailed looks if I learn to do that.