This is superficially funny, of course. But I’ve seen it before and after thinking about it for a while I find myself coming to the defense of the Torment Nexus and the tech company that brought it into reality.
Science fiction authors are not necessarily the best authorities when it comes to evaluating the ethical or real-world implications of the technologies they dream up. Indeed, I think they are often particularly bad at that sort of thing. Their primary goal is to craft captivating narratives that engage readers by introducing conflicts and dilemmas that make for compelling stories. When they imagine a new technology they aren’t going to get paid unless they come up with a story in which that new technology poses some kind of threat that the heroes need to overcome. The dark side of these technologies is deliberately emphasized by the authors to create tension and drama in their stories.
Tech companies, on the other hand, have an entirely different set of considerations. Their goal isn’t just to recreate something from a sci-fi novel for the sake of it; rather, they are motivated by solving real-world problems. They wouldn’t build the Torment Nexus unless they figured that they could sell it to someone, and that they wouldn’t get shut down for doing something society would reject. There are regulatory frameworks around this kind of thing.
If you look back through older science fiction you can find all sorts of “cautionary tales” against technologies that have turned out to be just fine. “Fahrenheit 451” warned against the proliferation of television entertainment, but there’s been plenty of rich culture developed for that medium. “Brave New World” warned against genetic engineering, but that’s turned out to be a great technology for curing diseases and improving crop yields. The submarine in “20,000 Leagues Under the Sea” was seen as unstoppable and disruptive, but nowadays submersibles have plenty of nonmilitary applications.
I’d want to know more about what exactly the Torment Nexus is before I automatically assume it’s a bad idea just because some sci-fi writer claimed it was.
I stopped reading when you said the goal of tech companies is to solve real world problems. The only goal of tech companies is to create products that will make them a profit. To believe anything else is delusional. That’s kind of why our society is crumbling and the planet is dying.
On the other other hand, maybe we only understand the dangers of the Torment Nexus and use it responsibly because science fiction authors warned techy people who are into that subject about how it could go wrong, and the people who grew up reading those books went out of their way to avoid those flaws. We do seem to have a lot more of the technologies that sci-fi didn’t predict causing severe problems in our society.
But this is exactly contrary to my point, a science fiction author isn’t qualified or motivated to give a realistic “understanding” of the Torment Nexus. His skillset is focused on writing stories and the stories he writes need to contain danger and conflict, so he’s not necessarily going to interpret the idea of the Torment Nexus in a realistic way.
Nope. Isaac Asimov was a biochemist, why would he be particularly qualified to determine whether robots are safe? Arthur C. Clarke had a bachelor’s degree in mathematics and physics, which technology was he an expert in? Heinlein got a bachelor of arts in engineering equivalent degree from the US Naval Academy, that’s the closest yet to having an “understanding of technology.” Which ones did he write about?
Those were a list of authors who were pretty good at getting the science in their sci fi right. They talked to scientists working on the fields they wrote about. They wrote “hard” sci fi
You cannot judge their competence by their formal education
Well, I also am “pretty good” at getting the science right when I write sci fi. Makes me just as qualified as them, I guess.
The problem remains that the overriding goal of a sci fi author remains selling sci fi books, which requires telling a gripping story. It’s much easier to tell a gripping story when something has gone wrong and the heroes are faced with the fallout, rather than a story in which everything’s going fine and the revolutionary new tech doesn’t have any hidden downsides to cause them difficulties. Even when you’re writing “hard” science fiction you need to do that.
And frankly, much of Asimov, Clarke and Heinlein’s output was very far from being “hard” science fiction.
This is superficially funny, of course. But I’ve seen it before and after thinking about it for a while I find myself coming to the defense of the Torment Nexus and the tech company that brought it into reality.
Science fiction authors are not necessarily the best authorities when it comes to evaluating the ethical or real-world implications of the technologies they dream up. Indeed, I think they are often particularly bad at that sort of thing. Their primary goal is to craft captivating narratives that engage readers by introducing conflicts and dilemmas that make for compelling stories. When they imagine a new technology they aren’t going to get paid unless they come up with a story in which that new technology poses some kind of threat that the heroes need to overcome. The dark side of these technologies is deliberately emphasized by the authors to create tension and drama in their stories.
Tech companies, on the other hand, have an entirely different set of considerations. Their goal isn’t just to recreate something from a sci-fi novel for the sake of it; rather, they are motivated by solving real-world problems. They wouldn’t build the Torment Nexus unless they figured that they could sell it to someone, and that they wouldn’t get shut down for doing something society would reject. There are regulatory frameworks around this kind of thing.
If you look back through older science fiction you can find all sorts of “cautionary tales” against technologies that have turned out to be just fine. “Fahrenheit 451” warned against the proliferation of television entertainment, but there’s been plenty of rich culture developed for that medium. “Brave New World” warned against genetic engineering, but that’s turned out to be a great technology for curing diseases and improving crop yields. The submarine in “20,000 Leagues Under the Sea” was seen as unstoppable and disruptive, but nowadays submersibles have plenty of nonmilitary applications.
I’d want to know more about what exactly the Torment Nexus is before I automatically assume it’s a bad idea just because some sci-fi writer claimed it was.
I stopped reading when you said the goal of tech companies is to solve real world problems. The only goal of tech companies is to create products that will make them a profit. To believe anything else is delusional. That’s kind of why our society is crumbling and the planet is dying.
Then I advise reading the rest. You don’t make profit if you don’t solve a problem people have.
May I introduce you to the world of insurance companies?
Most of the “solutions” sold by companies are for artificial problems created by companies.
Go back to living in a cave and then count the number of problems you have left, I bet there will be tons.
Don’t worry, in a few decades that’s where we’ll all be, you included. Assuming we survive the corporate-induced famines, anyway.
Just because some tech bros can make money from the Torment Nexus it does not become a good idea. Profit is not a great judge of ethics and value.
On the other other hand, maybe we only understand the dangers of the Torment Nexus and use it responsibly because science fiction authors warned techy people who are into that subject about how it could go wrong, and the people who grew up reading those books went out of their way to avoid those flaws. We do seem to have a lot more of the technologies that sci-fi didn’t predict causing severe problems in our society.
But this is exactly contrary to my point, a science fiction author isn’t qualified or motivated to give a realistic “understanding” of the Torment Nexus. His skillset is focused on writing stories and the stories he writes need to contain danger and conflict, so he’s not necessarily going to interpret the idea of the Torment Nexus in a realistic way.
So Isaac Asimov, Arthur C. Clarke, and Robert A. Heinlein aren’t qualified to give understandings of the technologies they wrote about?
Nope. Isaac Asimov was a biochemist, why would he be particularly qualified to determine whether robots are safe? Arthur C. Clarke had a bachelor’s degree in mathematics and physics, which technology was he an expert in? Heinlein got a bachelor of arts in engineering equivalent degree from the US Naval Academy, that’s the closest yet to having an “understanding of technology.” Which ones did he write about?
Those were a list of authors who were pretty good at getting the science in their sci fi right. They talked to scientists working on the fields they wrote about. They wrote “hard” sci fi
You cannot judge their competence by their formal education
Well, I also am “pretty good” at getting the science right when I write sci fi. Makes me just as qualified as them, I guess.
The problem remains that the overriding goal of a sci fi author remains selling sci fi books, which requires telling a gripping story. It’s much easier to tell a gripping story when something has gone wrong and the heroes are faced with the fallout, rather than a story in which everything’s going fine and the revolutionary new tech doesn’t have any hidden downsides to cause them difficulties. Even when you’re writing “hard” science fiction you need to do that.
And frankly, much of Asimov, Clarke and Heinlein’s output was very far from being “hard” science fiction.